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Stunning visuals. However, PC gamers can also gain access to the updated games this Thursday, September 15, and for free if they already own copies.
For BioShock Infinite , nothing has changed. The easiest route to the remastered versions is if you already own the games on Steam.
They even appear separately to your existing games allowing the option of continuing to play with the original graphics. If you own BioShock on CD it is a 9-year-old game after all , then getting the remastered version takes a bit more work.
You need a Steam account and proof of purchase for the game. Then contact 2K Support by submitting a ticket and the wheels will be set in motion to get the updated version appearing in your Steam account. Remember Games for Windows Live? That key is your gateway to unlocking the remastered version on Steam by following these instructions.
Gadgets BioShock is free! Bing Crosby and Billie Holiday croon from tinny speakers and gramophones. The sea is reclaiming this city, leaking through buckled bulkheads and pooling on cracked floors.
You can't, say, take a plane to fly somewhere else. And we're nerdy enough to care how the city works. You'll find out how the city's powered, how they get their oxygen--and it all factors into the gameplay. Not far into Rapture's first area, however, we reach a point of no return. Walking through one of the glass tunnels that connect the city's structures, we look up to see the airplane tail section tumbling through the cobalt murk.
It collides with the tunnel. Millions of gallons of seawater pour through the shattered glass. Wading through frigid H2O that looks too real Irrational has an artist working solely on water effects , we barely make it through the exit hatch at the end of the tunnel. We're cut off. We can't go back. Our only choice is to head deeper into Rapture. These eyes-on-high-beam, pressure-suited monstrosities have become iconic of BioShock and are a linchpin of its labyrinthine plot--and not just because you're supposed to seek out and take down three in each section of Rapture.
Each Big Daddy protects one of the Little Sisters, gaunt 8-year-old girls who pop out of hatches to scour areas for corpses. The girls aren't what they seem. They've been genetically engineered by one of Rapture's residents to drink the blood of the dead and convert it to Adam, stem-cell goo that fuels all superpowers in Rapture.
You want Adam; acquiring it is at the heart of your character-customization options. But here's the tricky part: Once you take down a Big Daddy no small feat, which we detail on page 75 , you can opt to either "save" the Little Sister and get a wee bit of Adam or "harvest" her and get the maximum amount.
What happens when you harvest her? Well, you figure it out. Your hand pulls the whimpering girl offscreen, you hear some squishy noises, and when your fist reappears it's holding organic material and the Little Sister is gone.
Seeing this, it's easy to imagine backlash from the mainstream media, maybe a Fox News story about a new game that lets you kill little girls--never mind that the Little Sisters aren't exactly human. Levine says it's a risk he's willing to take to create a compelling experience. There's a reason you don't see it actually happening onscreen.
You can't shoot the little girls. You can't hurt them in any way, except in that moment when you're given the choice to harvest them. Don't assume that choosing to harvest the Little Sisters rather than save them sends you down some irreversible path in BioShock. Much of the game's rich story which we've left vague to avoid spoiling has you tom between two characters, Atlas and Tenenbaum, who harass you regularly on your radio. Atlas' family is trapped in Rapture, and he wants you to harvest all the Adam you can find so you can soup up your powers and rescue them.
Tenenbaum, on the other hand, is a former Nazi scientist who created the Little Sisters and wants you to save them. Tenenbaum, meanwhile, begs you to not hurt her children. What we're trying to do is not have a white hat and a black hat, not have an angel and a devil, but have it be ambiguous, which is that much truer to life.
Depending on what kind of hero you want to create, you can focus on saving all the Little Sisters or harvesting them, or mixing and matching.
If all you care about is building the maximum roster of superpowers, harvest all the Little Sisters you find to get all their Adam. Levine didn't want to spoil how saving Little Sisters instead of harvesting them affects your character, although we know you run into the girls later in the game.
In BioShock's capitalistic character-development market, you spend Adam at special machines called Gatherers' Gardens to buy different plasmids, body modifications that grant powers. You'll find plasmids that let you unleash telekinesis, fireballs, freeze rays, Splicer-stunning electrical jolts, and swarms of insects.
Some plasmids turn enemies against each other really the safest way to take down Big Daddies. Others make them appear hostile to automated turrets and security cameras, which will send out flying robot drones armed with machine guns.
In addition to the plasmids, you'll find passive character-tweaking substances called gene tonics. These do everything from boosting health to granting semi-invisibility to causing more damage when you melee-attack Splicers from behind. Some increase your hacking skills--yet another subset of BioShock's seemingly limitless character abilities. Via a block-shifting minigame that feels straight from PopCap. BioShock even has its own invention mechanic that lets you build custom plasmids and pimp out your guns.
Each of the six weapon types has two customization slots, as well as a magazine for homebrew ammo. You can increase the rate of fire of your shotgun, for instance, or alter the grenade launcher so that its rounds don't damage you when you blast point-blank enemies.
If all this talk of Adam and plasmids and gene tonics and hacking makes the prospect of character building in BioShock sound dizzying--especially since you must find specialized machines to tinker with every aspect of your hero--Levine is unapologetic. But they give you things steadily, and we follow that model. That brings us back to where we started, taking stock of our powers, guns, and ammo to build a defensive perimeter against the encroaching Splicers.
The only factor left to consider: the environment. Rapture's world works just like your own. Water conducts electricity. Objects and substances that logically seem flammable--oil slicks, books, stuffed animals, enemies--will bum. It makes for anything-goes gameplay that has the BioShock quality-assurance testers inventing impromptu attack strategies daily. This is a shooter you play on your terms. You set up the ambush. You hack the security. You manipulate the A.
The theme again is that everything is a weapon. Far be it from us to tell you how to use these weapons. The Splicers are nearly done blowtorching through the door. This fight is all you. BioShock's adversaries, called Splicers, have lives of their own. They wander Rapture, nosing around dead bodies, vending machines, and locked doors, looking for life-giving Adam more on that later. They'll also react to the sounds you make--you'll need to be stealthy if you're not ready for a fight.
And they start in different places each time you play, making it hard to get the jump on them if you retry an area. Competing for limited resources in what Levine calls BioShock's "A. But their smarts extend to combat. They can see what kind of weapon you have and will egg you into a melee if you're not packing heat.
Splicers understand their environment and will seek cover when the shooting starts. But the scariest part of all: They'll make a dash for the nearest medical station when their health runs low. It makes for bittersweet relief if you're on the losing end of a fight. On the one hand, it's nice get a breather while the enemy runs off to lick his wounds. On the other, you know the Splicer is just going to return--and with full health, no less--unless you managed to hack into and booby-trap the medical station.
With atmospheric visuals on par with Gears of War BioShock uses a modified version of that game's graphics engine and a sea of character-customization options and gameplay strategies, Irrational's underwater adventure certainly astounds on paper. But all the nifty powers and Einstein A. Fortunately, the developers designed this game to be a first-person shooter, er, first. Consequently, BioShock is on target with the things you'd expect. Head shots do significantly more damage.
The garaged-together guns have a satisfyingly heavy feel when you fire them. You can lean around corners to survey an area for enemies before rushing in. You get a map, a journal of important story points, and an onscreen mission arrow to keep from getting lost in Rapture's dark and twisted structures. Aiming control did feel twitchy--not as finely tuned as in triple-A shooters such as the Halo series--but Levine assures us we can tweak sensitivity settings until the game feels just right.
We had other nits to pick. Why not let players unleash all of BioShock's powers, weapons, and environmental-based killing strategies in a multiplayer mode?
Why don't enemies you freeze and shatter with your Cryoshard power melt into pools of water instead, the bits of ice just disappear? To these gripes, Levine gives the same terse response: "BioShock 2. BioShock's concept of an underwater city started by an Ayn Rand fanatic and formerly populated by superpowered people before they wiped most of themselves out in a civil war" sounds pretty damn refreshing compared to games about either interstellar soldier dudes or inner-city bang-bang bad boys.
On top of the great setting, developer Irrational will also be giving us plenty of emergent gameplay to complement the story. That phrase, "emergent gameplay," gets thrown a lot by gaming eggheads, but BioShock provides some of the clearest examples. Just taking down a Big Daddy, one of those crazy Jules Verne-era deep-sea divers, is an exercise in seizing opportunity from random situations.
For example, say while running from a Big Daddy you trip the alarm, which then sends security bots after your ass. One option is to disable the alarm, hack the robots, and use them as new buddies to fight that tin man. Or maybe you'll shoot a conveniently placed propane tank, use your telekinesis one of many powers, or "plasmids" in the game world to pick up and light a nearby stuffed teddy bear on fire, and hurl said "Molotov Teddy" Irrational President Ken Levine's term at the Big Daddy.
Or maybe some bad dude who tosses grenades wanders on to the scene, and you use telekinesis to redirect the grenades toward the towering enemy. Oh, by the way--the Big Daddy is so, er, big that it could conceivably take all of the above to put him down. None of those situations are scripted affairs--they're examples of simple things that could just happen and how a smart and resourceful player responds.
Levine's goal with BioShock is to make players think, "Hey, why the hell wasn't I able to do these things in a first-person shooter before? Browse games Game Portals. Install Game. Click the "Install Game" button to initiate the file download and get compact download launcher. Locate the executable file in your local folder and begin the launcher to install your desired game.
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